CONTEMPORIST

VIP WING Lounge by Erich Gassmann and Tina Aßmann
Residence in Monaco by Federico Delrosso
Ruray Lamp by Shane Holland

VIP WING Lounge by Erich Gassmann and Tina Aßmann

Posted: 14 Sep 2011 09:42 AM PDT

Erich Gassmann and Tina Aßmann have designed the VIP WING Lounge at Munich Airport in Germany.

Munich, at the heart of Europe, combines the multifaceted state of Bavaria with unspoiled countryside and the pulsing life of a modern city. Between future and tradition – not a contradiction in terms but an expression of a special lifestyle, the unmistakable, unique identity of land and people whose landscapes are characterized by the impressive alpine panorama, mountains and plains, narrow valleys and natural riverscapes.

The VIP lounge is a modern implementation of a special identity, skillfully uniting progress and tradition. It can be experienced with all the senses: haptically – in the use of native woods, typical Bavarian materials such as loden, felt, leather, and broad oak planks; and visually – with maximum use of daylight, selective views of the famous white and blue Bavarian sky, and the proposed beer garden.

And the result? An island of peace and tranquility in the turbulent working day, a snatch of holiday between appointments, a perfect work oasis equipped with the latest technology, international flair with a Bavarian accent.

In the south wing of Terminal 1, guests have 1,200 square meters at their disposal, consisting of four separately usable suites, a central lounge area with gastronomy, business corner, and separate workrooms, rest area, showers and changing facilities, an interdenominational prayer room, as well as a smoking corner. The room conveys a feeling of the alpine mountain world. The falling and rising room recesses determine the conception of the room. The requirements on material and workmanship are manifested at different levels – from the oak-clad doors with their hand-finished brass fittings, the solid wooden tables carved from a tree trunk, to the sensual experience of the fragrant Swiss pine in the relaxation room.

In the reception area, the traveler is greeted by a typically Bavarian motif: a wall of untreated larch shingles covering the rear panel of the reception counter, which is developed out of the dynamically shaped wall.
The primary way from the entrée leads to the bar and a casually furnished area with a bench. From here, one can see into the depths of the lounge with its alcoves and recesses. The casual furnishing in fresh shades of green corresponds with the wool-covered bench and the elegant copper cladding of the rear wall of the bar.
Comfortable leather sofas and armchairs in the second lounge also invite the traveler to linger awhile. Even from the smoking corner opposite, the large glass window provides a view of the runways. Hand-finished tables of solid ash with finger joints represent Bavarian craftsmanship.

But the lounge offers not just relaxation: the Schloss Neuschwanstein Conference Suite provides meeting facilities for up to 10 persons. Under the slogan "Laptop und Lederhose", alpine motifs such as the solid split-wood wall cladding are combined with the latest conference technology. The complete media technology, with video projector, electrically activated screen, and dimmable lighting, are integrated in the ceiling made of shaped lamellae.

In addition to relaxation at the bar or in the suites, the business corners offer a suitable atmosphere for quiet, subdued work and communication. Alcoves cut into the wall, with felt-cushioned niches and solid-oak tables, are equipped with all the necessary connections for the latest means of communication.

Those looking for a more dignified ambience for a meeting or a business dinner will feel at home in the Schloss Schleissheim Suite. This is connected to the Schloss Neuschwanstein Conference Suite by a concealed door and is flooded with light, providing an ideal supplement to the formal meeting. The wall linings of fine velvet, room-high semitransparent curtains, and furniture of oiled walnut, leather and textiles, and Bavarian accessories such as a set of real deer antlers, ensure a cozy, warm atmosphere. The corrugated lamella ceiling (with an individual design in every suite) emulates the typical, gentle Bavarian hill landscape. Suspended ceiling lamps and the decorative lighting complement the spotlights integrated in the ceiling.

The Schloss Linderhof Suite contrasts with a private bathroom, lounge and working area. Organic forms of free furnishing and illumination, and the floral wall lining of velvet in strong shades of pink, contrast with the historical portraits of the royal family.

The generous-sized VIP bathrooms are wellbeing for the soul. Selected materials and colors in the different sanitary areas ensure the necessary dose of relaxation during a travel break. In the ladies' bathroom, for example, a freestanding, oval, conical washstand grows out of the floor as the center point of the room. The fine pattern of mosaic tiles in a variation of aubergine shades covers the furnishings and is continued on the floor and walls. A surrounding strip of mirrors optically enlarges the room and is loosened up by the circular, three-dimensional "light bubbles". The spirit of King Ludwig II is everywhere. Even in the men's bathroom, the King can be seen in an oil portrait, hunting astride a horse.

The lounge can be accessed both from the airport apron and from the land side through a separate security area. The reception is connected to the administration and staff areas for the lounge personnel.

At the official opening, airport boss Dr. Michael Kerkloh emphasized the high level of functionality of the ultramodern, technical equipment of the VIP lounge and in particular "the Bavarian local color combined with timeless elegance and friendliness". He said he was convinced that with its VIP WING, Munich airport now has an exclusive comfort zone meeting the highest demands if its guests at all times.

Photography © Florian Holzherr, München

Residence in Monaco by Federico Delrosso

Posted: 14 Sep 2011 05:44 AM PDT

Federico Delrosso has completed the interior design for an apartment in Monaco.

"The project for a private residence invariably has to take account of the client's family structure. The house is a kind of exoskeleton in which human relations, even before family ties, develop and find their balance."
The design of this new apartment by Federico Delrosso starts from the specific request for a house that could accommodate parents and children, some from previous relationships.

“Everything grew out of the fusion and radical restructuring of three existing apartments in an early 20th century building in the heart of Montecarlo. The first act was the creation of a new staircase, completely independent of the condominium stairs. I wanted this new internal staircase for the exclusive use of the family to create a clear link between the three levels, though they are aesthetically independent." With these words Federico Delrosso introduces his project which was completed in 2010 after about 18 months' work.

"For this apartment, laid out with a specific family vocation, I decided to differentiate the first levels in a generational key. The first floor, the most 'crowded', is devoted to the children. The second, more intimate and compact, is for the parents.The third floor is designed for living together and hospitality, hence the living room and kitchen. It ends in a loft space where informal and compact space become a place of happy anarchy for relations and activities: partly study and partly leisure area.”

“With this division of space I have created a home with reverse vertical development … The entrance is at the top, on the third floor, housing the living room and loft. Descending we come to the most private areas (night/study): the second floor for parents and youngest children, and the first with direct access from the condominium stairwell, the floor devoted to the older and more independent children.”

"The strong emotional relations between family ties and the independence of the subjects, then prompted the use of two elements – one aesthetically very conspicuous, the other almost intangible – which could be perceived as the common denominator of the whole home. This is zebrano wood, which I have used for furniture, doors, partitions … and an imaginary vertical line running through each floor and materializing only in the last section where it intersects the roof and becomes a slender steel cable attached to the central girder. It's highly visible, deliberately given a very mechanical appearance. It conveys the idea of strength and lightness at the same time, being reliable yet not intrusive…”

“The grey oak, which I chose for the floors is paired with zebrano, its distinctive texture creating a very natural and warm ambiance with an almost wild character for the interiors. It manages to soften the rationally orthogonal spaces, and it works very well for 'coloring' at certain points the icy white of the walls (doors, shelves, paneling …). The color of the zebrano goes well with both warm tones and cold, without limiting any subsequent color choices made by the occupants, in terms of furnishings and accessories. It’s an element that supports but does not preclude the evolution of this home … Almost a metaphor for family relationships."

Visit Federico Delrosso’s website – here.

Photography by Fausto Mazza

Ruray Lamp by Shane Holland

Posted: 13 Sep 2011 08:29 PM PDT

Irish designer Shane Holland has created the Ruray LED desk lamp.

Description from the designer:

The Ruray lamp is an LED Desklight named after a legendary wave ‘Tonn Ruraigh’, heard off the County Down coast in Ireland hundreds of years ago.

The name lends itself well to the sweeping wave shape of the main body of this newly launched RURAY lamp, which is handformed from one piece of composite aluminum.

This is truly a mixture of fine craft, high-tech materials, and low energy lighting. The LED strip provides superbright, but even light and a 30000 hour lamp light.

Visit Shane Holland’s website – here.