CONTEMPORIST

CONTEMPORIST


The Lake & Stars Pop-Up Shop by SOFTlab and Focus Lighting

Posted: 14 Nov 2011 03:38 PM PST

SOFTlab and Focus Lighting have designed a pop-up shop for The Lake & Stars in New York City.

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Project description:

The SOFTlab-designed pop-up shop for The Lake & Stars plays with the concept of viewing cones to provide visitors with two entirely different shopping experiences. Focus Lighting uses these cones both as a focal point and opportunity to provide light. A central wall composed of 29 irregularly shaped cones seems to hover over the middle of the shop, dividing it into two separate spaces.

The lighting design draws visitors toward the viewing cones and uses the dichroic plexi-glas to create splashes of color within the sleek, white space. As visitors enter on the space to the left of this wall, pin spots draw their eyes toward the different rectangular openings within the wall. Light fixtures are precisely aimed to that when the light hits the dichroic plexi-glas ones, a splash of color is projected onto the flossy white surfaces of the adjacent space, bringing life to the mannequins and merchandise.

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Visit the SOFTlab website – here.

Visit the Focus Lighting website – here.

Photography by Evan Joseph

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South Yarra House by LSA Architects

Posted: 14 Nov 2011 05:43 AM PST

LSA Architects have designed the South Yarra house in Melbourne, Australia.

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Description from the architects:

A broad mix of architectural styles characterizes this densely populated South Yarra street, from traditional pitched-roof weatherboard terraces to flat-roofed rendered block-work apartment buildings. Narrow buildings sit tightly side-by-side along the one-way street.

The project aimed to provide a residence that makes a statement within the eclectic streetscape, capturing your gaze and holding your attention as you approach, enter and explore the home. Light-filled spacious internal spaces maintain strong connections to the exterior of the building and the home's multiple courtyards, blurring internal/external boundaries.

The methodology employed to meet these aims included implementing voluminous forms, building to the site perimeter wherever possible, installing glazing to multiple and varied planes, and applying colour to engage the viewer and provide continuity and connection between internal and external spaces.

An orange 'box' that is the first floor can be observed from as far away as the end of the street. Upon entering the house, the white ceiling abruptly gives way to the overhead insertion of this form, reminding the viewer of their connection with the coloured volume. Arched glazing either side of the dining area physically separates interior from exterior, yet enables views of the orange-clad ceiling wrapping to form the external walls of the first floor, increasing connection to the exterior and the building as a whole.

Focusing on volume, colour and natural light admission, rather than on implementing expensive materials, positively impacted the project budget. Costly finishes were kept to a minimum, and where used, their effects are maximized by complementary less expensive treatments. Application of colour to the built form encourages the inhabitants to explore further implementation of colour through furnishings and artworks.

Budgetary limitations prevented inclusion of basement car-parking. A clever design met all other client requirements, including off-street parking, 4 bedrooms, and an open plan living / dining / kitchen which opens up to a large rear courtyard.

Architect and interior designer worked collaboratively to provide a home with integrated internal and external spaces. The builder worked closely with the architect in resolving complicated construction details, and the structural engineer assisted the builder in finding an agreeable way to work with the large steel beams specified.

The project site is north-south oriented, necessitating a design that minimises direct sunlight penetration yet maximises admission of natural light. The first-floor 'box' is cantilevered over the rear courtyard, providing fixed shading from direct summer sun to the open plan living room and kitchen. Upstairs the north facing retreat windows are recessed back within the orange volume, creating a balcony with inbuilt shading. Court-yards on the east and west boundaries serve a double purpose, admitting light to central rooms and also allowing air flow into and through the house via open-able windows, increasing natural ventilation and decreasing the need for air-conditioning.

The abundance of natural light coupled with the installation of electricity-generating solar panels (which also supply electricity back to the grid) serves to reduce the home's energy consumption, and double glazed windows and fully insulated walls minimise heat loss and gain.

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Visit the LSA Architects website – here.

Photography by UA Creative

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