CONTEMPORIST

CONTEMPORIST


Elamang Avenue House by Luigi Rosselli

Posted: 27 Sep 2011 05:51 AM PDT

Luigi Rosselli has designed the Elamang Avenue house in Sydney, Australia.

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Description from the architect:

The brief was to provide a comfortable house.

What makes a house comfortable?

It’s not a question of good padding on the lounges but the ability of a building to provide a climatically comfortable environment, a place where you seek refuge from the heat of the day or in the cold nights, without having to barricade yourself behind hermetically shut windows.

The rammed earth walls and well located operable skylights, the sun drenched courtyard and the breezy verandah, the green roof and external shutters have all contributed to a most liveable waterfront residence and to win the AIA sustainable design award for 2011.

The design was awarded as a proof that  sustainable architecture can be applied to the top end of Residential architecture.

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Visit Luigi Rosselli’s website – here.

Photography by Justin Alexander

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Virage Mulsanne Hotel by Kilo Architectures

Posted: 27 Sep 2011 04:28 AM PDT

Kilo Architectures have designed the Virage Mulsanne Hotel in Le Mans, France.

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Description from the architects:

On the circuit of the world’s oldest sports car race, the 24 hours of Le Mans, this project addresses questions of architectural scale and 'speed.' Architectural speed is the manner or rate at which a building is viewed or experienced. For this project, the high velocity at which this building will most frequently be viewed led us to compose an 'elevation of motion' wherein the facade is designed to be regarded in accelerated motion.

In order to break the homogeneity present in most economic hotel buildings, multiple horizontal windows were scattered over the facade in order to obfuscate the scale and nature of the building.  The scale of the building is not immediately clear, and the repetition and rhythm of the rooms within are impossible to read from the facade. In addition, the playful placement of windows renders every room unique; some rooms have windows on the floor or at the line of the ceiling, and every room benefits from a unique framing of the world outside.

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Visit the Kilo Architectures website – here.

Photography by David Bourreau

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House on a Cliff by Petra Gipp Arkitektur and Katarina Lundeberg

Posted: 27 Sep 2011 01:23 AM PDT

Petra Gipp Arkitektur and Katarina Lundeberg designed this house on an island near
Stockholm, Sweden.

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House on a Cliff by Petra Gipp Arkitektur and Katarina Lundeberg

The clients wished for a living in interplay with the experience of this environment

The site is found in an area of temporary dwelling where small, elemental wooden houses from the mid 1900's provide holiday housing. At the very tip of a cape, the house overlooks the bay from high up on a cliff.

The clients pictured dwelling here as an interplay with the experience of this environment, with the possibility both of privacy and transparency.

The house turns away from the settlement, towards the water.

Two distinct volumes take hold of each other to create the conditions for the life that is led here. One of the volumes contains elemental cells for sleeping, which have a direct connection to the outside via a separate entrance. There is also a large bedroom with an adjacent terrace, and a bathroom, which is open to the sky. The other one of the two volumes houses a generous living room and a kitchen, where the public aspects of dwelling take place. The kitchen presents a degree of simplicity and abstraction, which aesthetically as well as functionally brings it into the same realm as the living room.

As a release between the two volumes, an internal light well forms itself where light cuts down through a large lantern. The idea is to allow this release to define a conceptual cut between the two parts of the house; the closed space that turns inwards, and the generously outward looking, open volume.

The spacious living room blurs the boundary between inside and outside. Part of the volume forms an outside space with nothing but a roof as protection from the elements, this part transitions into the large terraces. The clients envisioned terraces to bring the house and the cliff together into a whole. Thus, in order to retain a concentrated totality of form, the generous terraces formally belong to the main structure while they connect it to the ground. On the outside, steps are carved out of the volume to connect the bedroom terrace to the roof.

Materials and details are chosen with care to emphasize an architectonic whole. Elemental panelling consisting of boards of varying dimensions has a coat of iron sulphate and mitred corners; it follows the fluctuating profile of the form, internally as well as externally. Throughout the building, the floors are covered with soaped spruce, and in order to accentuate a unity within the form, so are a few of the vertical surfaces. Concrete cast on site and details out of sheet zinc are other materials used.

Our intention has been to create something sustainable through the use of materials that age with dignity, to enhance the experience over time, both of the house and of the site.

The open foundation rises above ground and leaves the site untouched. There is a strong desire to inflict as little damage on the site as possible, visually as well as conceptually.

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Visit the Petra Gipp Arkitektur website – here.

Visit Katarina Lundeberg’s website – here.

Photography by Åke E:son Lindman

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